Cinelifter 6″ · RED Komodo 6K · Blackmagic 4K G2
A hand-flown six-inch cinelifter with a cinema camera on top. It's built for the shot that opens the commercial: real speed, weaving between obstacles and cut-free transitions, with a RAW that holds up in post.
FPV doesn't replace the Inspire 3: it complements it. It's the tool for the hero shot, the one that needs a sense of speed, proximity and continuity.
Real-speed tracking on a closed road, low passes just above the tarmac and corner entries. Coordinated by radio with the driver.
Motorbikes, MTB, ski and riders. The FPV flies to the side or behind the rider, never on their impact trajectory, with calibration passes before recording.
Coming in through a window and out through the door without a cut. With the cinelifter outdoors and the 3″ cinewhoop with prop guards in tight spaces.
Continuous walkthroughs of buildings, warehouses, hotels or wineries that show the space in a single take.
Movement with character for brand pieces, fashion film and music videos, with the capture quality a cinema or television delivery demands.
The opening shot that sets the tone: a reveal at speed, a transition to the product or the talent, and a cut to the Inspire's stabilised shot.
We choose the unit for the shot and for where the piece is going to live, not by default. A cinelifter with a cinema camera is heavier and flies for less time than a light FPV; in return, the footage holds up to any post-production.
6K RAW R3D. The unit for film, commercials delivered for television and anything that's going to be seriously graded. FPV pilot and assistant.
Lighter and more agile, 4K in Blackmagic RAW or ProRes. For when the shot calls for agility and the delivery is 4K.
The fastest in the fleet, with a 4K camera. High-speed tracking shots and footage for social media or pieces where dynamics come first.
With prop guards, for interiors, tight spaces and oners near people, with the corresponding safety plan.
Automotive, action sports, landscape and film unit work, shot by our crew with the Inspire 3 and FPV. With every credential needed to fly on a professional set:
Between three and five minutes per battery. We plan short passes and repeat them; we bring batteries for the whole day and swap between takes.
Komodo when the delivery is film or television and the footage will be graded in RAW. Blackmagic when the shot calls for more agility or the delivery is 4K. The 5″ FPV for very fast shots or social media pieces.
Close to actors, with a safety plan, rehearsals without recording, minimum distances and radios; never over people on an impact trajectory. Over the public only with specific authorisation. In populated areas we operate under a specific category.
R3D 6K from the Komodo with metadata and the production LUT; Blackmagic RAW or ProRes from the 4K G2; 4K from the 5″ FPV and the cinewhoop. Copies verified by the DIT on set.
The day rate for each FPV unit, with pilot and assistant, is in the 2026 rate card, which we send on request with the quote. It's usually combined with an Inspire 3 day in our aerial-unit packages.
By the day, with FPV pilot and assistant, batteries and permits; it's in the same range as an Inspire 3 day. We send it with the quote after seeing the shot reference.
Yes. We review the route, access and flight feasibility. The quote sets out the crew, the days, the permits and the necessary travel.
LEGO · The Fastest Bricks in the Galaxy
Roman Empire by Train with Alice Roberts
Astronauta por un Día (Astronaut for a Day)
San Javier y San Bien
Send us the reference or the storyboard for the shot. We'll tell you which unit gets it done and for what budget.
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+34 660 52 43 50 (Francisco) · +34 690 02 99 60 (Alex)