Filming cars from the air: what a drone pilot learns from the driver
Field notes after months shooting Porsche and other cars on mountain roads: communication with the driver, marks on the tarmac, real-world speeds and why the first take is almost never the keeper.
Permits for flying a drone on a shoot in Spain: what a production company needs
AESA registration, open and specific categories, ENAIRE coordination, urban environments and protected areas. Realistic timelines and paperwork to request.
9 min read
FPV or Inspire: when each one is worth it
FPV isn't always the answer. Notes on when a shot calls for speed and reflexes, and when the Inspire 3's stability and RAW quality win instead.
7 min read
8K RAW even when we deliver in 4K: why
The client delivers in 4K, but we shoot in 8K ProRes RAW. Room for reframing, grading without compromise, and a master that survives the next re-edit.
6 min read
Action sports from the air: motorbikes, bikes and riders
How shoots with professional riders are prepared. Radio communications, rehearsal passes, safety margins, and why the rider calls the shots on the track.
7 min readSubscribe to the newsletter
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