Aerial cinematography, FPV and shoot planning. We define equipment and flight requirements with you, manage permits and deliver footage in the format agreed with post-production.
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An aerial unit for feature films, series and documentaries. We coordinate flight and camera with the director and cinematographer, adapting the Inspire 3 setup and delivery workflow to production needs.
Drone filming for commercials, campaigns and branded content. We plan flight paths and framing with the agency and production company so each aerial shot serves the piece.
Continuous takes, tracking shots and transitions between spaces with FPV drones. We choose the flight and camera setup around the route, surroundings and the image your project needs.
RED Komodo 6K · Blackmagic 4K · 5″ FPV · 3″ cinewhoop
Aerial scouting, feasibility study, safety plan and permit management with AESA and ENAIRE: controlled airspace, urban environments and protected sites. Outside Spain we coordinate with the local aviation authority.
AESA · ENAIRE · EASAEvery project is different, but the steps before the first take-off tend to look similar. This is what happens between your call and the start of the shoot.
You tell us about the project and the type of shots you have in mind. A technical script or references help. We let you know if it's feasible, what gear it needs and an estimate of shooting days.
Location recce, light analysis by time of day, obstacle and flight-path identification. We plan the complicated shots before flying so we arrive on set with the day locked.
We handle AESA or local authority permits, restricted airspace authorisations and civil liability insurance. The production team doesn't touch this: we deliver it ready.
On set: pilot, camera operator and DIT making live backups. The director sees the feed on their monitor. Footage is delivered in the format and colour space your post house requires.
Send us the technical script, a visual reference or whatever you have. We get back to you with a proposal and a quote.