Premium automotive · Commercials · Film
Aerial shoots with Inspire 3 and FPV for Porsche, supercars and premium automotive work. Clean tracking shots, real-speed chases and hero shots that go straight into post.
Filming a Porsche or a supercar from the air is not a question of equipment, but of coordination. The drone pilot has to be where the car will be in three seconds, not where it is now. That takes a cockpit briefing, physical marks on the road and radios between pilot, operator and driver.
Before we start shooting, we sit the driver down with the operator's monitor. We go over three marks on the road: entry point, apex and exit. If those are clear, the pass works by the second take.
For a shot to work, you don't need the car doing 180 km/h. Between 60 and 100 km/h real speed gives plenty of perceived movement. For slow motion we shoot at 50 or 100 fps with the car going slower.
The Inspire 3 covers clean tracking shots, high angles and top-down shots: the bulk of the commercial. For the hero pass — entering a bend or a full-speed chase — we bring out the FPV. 8K ProRes RAW footage straight into post.
This is what we bring to a standard car shoot. If your production needs something more specific, we adapt it before the recce.
| Main platform | DJI Inspire 3 · Full Frame 8K |
| Hero platform | FPV 6″ cinelifter · RED Komodo 6K |
| Format | 8K ProRes RAW · D-Log |
| Lenses | DL optics swapped depending on the pass |
| FPS | 25 / 50 / 100 fps depending on the pass |
| Crew on set | PIC pilot + camera operator + spotter |
| Communications | Radios between pilot, operator and driver |
| Passes per shot | Minimum 3, recommended 5–6 |
Automotive, action sports, landscape and film unit work, shot by our crew with the Inspire 3 and FPV. With every credential needed to fly on a professional set:
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Yes. For any shoot with a moving car under the drone you need the road closed or under traffic control. This is arranged with the local authority (Guardia Civil or local police) during the recce. We coordinate it as part of the service.
It depends on the number of shots and locations. A 30-second commercial at one location is usually done in 1–2 days. If there are several locations or complex FPV shots, add another day. We give you the real estimate after reading the shot list.
Yes. We travel with the Inspire 3 and batteries in the cabin, and documented spares in the hold. We arrange permits with the destination country's aviation authority, and for destinations where we haven't flown before we coordinate with local fixers.
By default, 8K ProRes RAW with a D-Log profile for the Inspire 3 and 6K RAW (R3D) for the FPV unit with the RED Komodo. If your post-production house needs a different container or colour space, we set it up in-camera before the shoot. Footage ready to go straight into DaVinci or Baselight.
It is quoted by aerial-unit day (Inspire 3, FPV or both) plus the road closure and the location permits. A 30-second commercial at one location is usually done in one or two days; the exact figure follows after reading the shot list.
We study the route, take-off points and flight paths with the director. We coordinate the filming and whatever authorisations each location needs before the shoot.
Send us the shot list or a visual reference. We will reply with a concrete proposal and a quote.
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+34 660 52 43 50 (Francisco) · +34 690 02 99 60 (Alex)